| 2008 | Lecturer, Digital Time Art |
| Art and Art History Department, University of Texas at Austin |
| 2007 | Project Manager, Kitchen Budapest, MediaLab, Budapest, Hungary |
| 2007–present | Adjunct Faculty, instructor, Game Art and Design |
| 2008 | Art Institute of Pittsburgh – Online Division |
| 2006 | Facility Manager, Aurora Picture Show, microcinema, new media hub, Houston |
| 2005 | Adjunct Faculty, Digital Animation, Art School, Austin Museum of Art |
| 2004-2005 | Assistant Instructor, Time-based Art Foundation, Digital Foundations |
| Art and Art History Department, University of Texas at Austin |
| 2002-2004 | Teaching Assistant, Transmedia, Digital Time Art, Video Art, Performance Art |
| Art and Art History Department, University of Texas at Austin |
| 2001 | Adjunct Faculty, curriculum development, Filmmaking I. |
| Radio Television Film Department, Austin Community College, Austin, TX |
| 1999-2003 | Artistic Director, Co-Founder, Center for Young Cinema, Austin, TX |
| 1997-2002 | Artistic Director, Founder, Austin Cinemaker Coop, Austin, TX |
| 1996-2002 | CEO, MediaGarage Networks, video production, Austin, TX |
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| 2008 | Digital Time Art I, Studio Art, UT Austin, |
| GAD 212, Digital Audio and Video, AiP Online Division |
| 2007 | GAD 221, Digital Story Telling, AiP Online Division |
| 2005 | Digital Foundations, Studio Art, UT Austin, |
| Digital Animation, Austin Museum of Art |
| 2004 | Time-based Art Foundation, Studio Art, UT Austin |
| 2001 | Filmmaking I. Austin Community College |
| 1999-2003 | Video Art, Center for Young Cinema, Austin |
| 1997-2000 | Film Art, Austin Cinemaker Coop |
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| 2006 | Advisor, 9/11 – 9/11, animation directed by Mel Chin |
| Board member, Commerce Street Artist’s Warehouse, Houston, TX |
| 2004 | Curator, Construction Site, exhibition AMLI Downtown, Austin |
| 2003 | Co-Founder, Motion Media Arts Center, Austin |
| Co-Producer, Dee Montgomery Tribute, Austin, Cinemaker, Vol. 6 |
| 2002 | Co-Producer, Loud and Clear Children Film Festival 3 |
| Producer, Save Manson, Best of 2002, Center for Young Cinema, Vol. 4 |
| Co-Producer, Cinemaker International Super 8 Film Festival, Cinematexas 7 |
| 2002-2003 | Co-Founder, producer, Cinescape at the Hideout - microcinema, Austin |
| 2001 | Producer, Loud and Clear Children Film Festival 2 |
| Producer, Master Thespian, Best of 2001, Center for Young Cinema, Vol. 3 |
| Producer, Overexposed, Best of 2001, Cinemaker, juried, Vol. 5 |
| 2000 | Producer, Loud and Clear Children Film Festival 1 |
| Producer, Hole in the Head, Best of 2000, Center for Young Cinema, Vol. 2 |
| Producer, Hole in the Head, Best of 2000, Center for Young Cinema, Vol. 2 |
| Producer; Splice of Life, Best of 2000, Cinemaker, juried, Vol. 4 |
| Producer, Cinematexas 5 International Short Film Festival, Opening Night |
| 2000-2003 | Founder, Loud and Clear Children Film Festival |
| 1999 | Producer, New American Dream, Best of 1999, Center for Young Cinema, Vol. 1 |
| Producer, Cinematexas 4 International Short Film Festival, Opening Night |
| Producer, Rock Opera, feature film, dir. Bob Ray |
| Producer, Fast, Cheap and Out of Focus, Best of 1998-99, Cinemaker, juried, Vol. 3 |
| Producer, Exquisite Corpse, Cinemaker Project |
| 1999-2003 | Co-Founder, Center for Young Cinema, Austin, Texas |
| 1998 | Co-Producer, video editor, Golden Arm Film Project, juried, Vol. 2 |
| Producer, Cinematexas 3, International Short Film Festival, Opening Night |
| 1997 | Translator, Brassai: Letters to My Parents, University of Chicago Press |
| Producer, Texas Super 8 Massacre, Best of 1997, Cinemaker, juried, Vol. 1 |
| Producer, Cinematexas 2 International Short Film Festival, Opening Night |
| 1997-2001 | Producer, Cinemaker Co-op quarterly film festivals |
| Video Director, webcasts of honoria in ciberspazio, first “internet cyberopera” |
| 1996 | Founder, Austin Cinemaker Co-op |
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| 2006 | Impossible Exchange, Lawndale Art Center, Houston, TX |
| Sticky Visions, Gaddis Geeslin Gallery, Huntsville, TX |
| Over + Over and Again + Again, Austin Museum of Art, Austin, TX |
| 22 To Watch, interactive sculpture, (catalogue) |
| Dallas Center for Contemporary Art, Dallas, TX |
| 2005 | 22 To Watch, interactive sculpture, (catalogue) |
| Austin Museum of Art, Austin, TX |
| Galveston Art Center, Galveston, TX |
| Plots and Schemes, photo documentation (catalogue) |
| Creative Research Laboratory, The University of Texas at Austin |
| Clutch / Flow, interactive sculptures |
| Gallery 106, Austin, TX |
| Texas Biennial, interactive sculptures, (catalogue) |
| Bolm Studios, Austin, TX |
| 2004 | Construction Site, interactive sculptures, video and light installations, |
| AMLI Downtown, Austin, TX (catalogue) |
| Cinematexas 9, International Short Film Festival official program (catalogue) |
| In::formation, interactive sculpture, Creative Research Laboratory, |
| University of Texas, at Austin (catalogue) |
| 2003 | * The Freefall Sideshow, interactive sculptures, |
| New Gallery, University of Texas at Austin |
| Cinematexas 8, International Short Film Festival official program (catalogue) |
| Superstring, interactive sculpture, |
| Creative Research Laboratory, The University of Texas at Austin (catalogue) |
| 2002 | Chance Operation, interactive video installation, Gallery 1313, Austin, Texas |
| 2002 | Rack, super 8mm-video, L'Alternativa 9th Barcelona Independent Film Festival, Barcelona, Spain |
| \\\\\, Super 8mm-video, L'Alternativa 9th Barcelona Independent Film Festival |
| Eldonukia, Super 8mm-video, L'Alternativa 9th Barcelona Independent Film Festival |
| 2001 | Coming Clean, super 8mm-video, Den Haag Film and Video Festival, Dan Haag, Netherland |
| Equipment, super 8mm-video, Den Haag Film and Video Festival, Dan Haag, Netherland |
| Ascend/Descend, Super 8mm-video, Cinematexas International Short Film Festival, Austin |
| 2000 | Last Heartbeats of the Mechanical Age, super 8mm–video, Splice of Life screenings, Cinemaker |
| 1999 | Albatross super 8mm-video, Fast Cheap and Out of Focus screenings, Cinemaker, Austin |
| Cinematexas International Short Film Festival, Austin TX |
| 1998 | Equipment super 8mm-video, Athens International Film Festival, Athens, GA |
| Cinematexas International Short Film Festival, Austin TX |
| 1997 | Fourth Quarter 16mm film, Telluride IndieFest |
| Christopher French: Impossible Exchange: New Lens Based Work From Texas http://live.glasstire.com/index.php?option=com_content&task=view&id=273>sect=Articles>cat=Review
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| Melissa Warak: Over + Over and Again + Again at AMoA, issue #71, June 16, 2006 Austin, TX; Fluent Collab |
| Kathryn Hixson: New Art in Austin: 22 to Watch, August 2005
http://live.glasstire.com/index.php?option=com_content&task=view&id=281>sect=Articles>cat=Review
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| Rachel Koper: 22 to Think About, August 25; Austin Chronicle |
| Robert Faires: “May I Have the Envelope, Please? The 2004-2005 Austin Critics Table Awards” Construction Site, AMLI Downtown – Best Group Gallery Exhibition, June 10, 2005; Austin Chronicle
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| JR Compton: “The Texas Biennial “, review, Glasstire.com, Spring 2005
http://live.glasstire.com/index.php?option=com_content&task=view&id=80>sect=Articles>cat=Review
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| Rachel Koper: Top 10 Installation Art Pieces of 2004, January 7, 2005; Austin Chronicle
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| Laura Lindenberger: “Construction Site - AMLI Downtown” review, Artlies, vol. 44, Fall 2004
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| Marie-Adele Moniot: “Construction Site”, review, Glasstire.com, September 2004 http://live.glasstire.com/index.php?option=com_content&task=view&id=87>sect=Articles>cat=Review |
| Amanda Douberley: “Notes on the Grid”, Austin: AMLI Downtown, September 2004; in: Construction Site, exhibition catalogue
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| Jaqueline May: “Construction Site Visual Arts Review”, September 24, 2004; Austin Chronicle
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| Jeanne Claire van Ryzin: “Construction Site thinks big with art”, September 20, 2004; Austin Am. Statesman
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| Amanda Douberley, “Expanded Cinema,” in In::formation (exhibition catalogue). Austin: Creative Research Laboratory, August 2004
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| Marc Savlov: “The Kids Stay in the Pictures”, June 25, 2004; Austin Chronicle |
| Marc Savlov: “If the Kids are United…’ A CYC roundtable”, June 25, 2004; Austin Chronicle
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| Wayne Alan Brenner: "Superstring: Fully Baked”, August 22, 2003; Austin Chronicle
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| Chris Garcia: “Direct from kids”, December 15, 2002; Austin Am. Statesman
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| Sarah Hepola: “Video Reviews”, December 15, 2000; Austin Chronicle
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| Marc Savlov: “Small Wonders”, November 12, 1999; Austin Chronicle
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| Alison Macor: “Short on resources”, February 25, 1999; Austin Am. Statesman
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